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Ryuichi Sakamoto - Playing the Baschet
Жанр: Modern Classical, Ambient
Носитель: 12"
Год выпуска: 2025
Лейбл: KAB America (ANXZ-26866)
Страна-производитель: Япония
Аудио кодек: FLAC
Тип рипа: tracks
Формат раздачи: 16/44.1
Продолжительность: 00:23:05
Треклист:
01. 20160805 (10:29)
02. 20180616/20201207/20160805 (12:36)
Источник оцифровки: Millepiedi
Устройство воспроизведения: Thorens TD 321
Головка звукоснимателя: Nagaoka MP-200
Предварительный усилитель: Radial J33 (RIAA)
АЦП: Focusrite Scarlett 18i8
Программа-оцифровщик: Reaper 4.78
Обработка: Audition 3.0.1 (ручное удаление щелчков)Условия оцифровкиRecording chain:
Cartridge: Nagaoka MP-200
Tone arm: SME 3009 II imp.
Turntable: Thorens TD 321
Phono Pre amp: Radial J33 (RIAA) + D.A.V. Broadhurst gardens 1U
Converter: Focusrite Scarlett 18i8
Software:
Reaper 4.78 Recording
Audition 3.0.1 Manual click removal
DenoiseLF 2.8.2 Lo cut
Clickrepair 3.9.9 Click removalДинамический отчет (DR)foobar2000 1.6.16 / Dynamic Range Meter 1.1.1
log date: 2026-03-02 20:45:59
--------------------------------------------------------------------------------
Analyzed: Ryuichi Sakamoto / Playing the Baschet
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR17 -1.07 dB -24.45 dB 10:29 01-20160805
DR15 -1.30 dB -23.95 dB 12:36 02-20180616/20201207/20160805
--------------------------------------------------------------------------------
Number of tracks: 2
Official DR value: DR16
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 467 kbps
Codec: FLAC
================================================================================ Об альбоме (сборнике)In celebration of "sakamotocommon OSAKA1970/2025/Osaka/坂本龍一", 坂本龍一 has released an LP disc of sound recordings of Bachet acoustic sculptures in 2016 and 2018, An LP edition of Bachet acoustic sculptures recorded in 2020 will be released, featuring a rare record of Bachet, whom the artist met at the 1970 Osaka World's Fair, and who, 46 years later, once again faced, performed and recorded the piece, the first previously unreleased sound recording to be released since his death. The accompanying booklet includes commentary on Bachet's acoustic sculptures and liner notes by people who were present at Sakamoto's recording.-Expo 1970 Osaka and Ryuichi Sakamoto
In 1970, at the age of 18, Ryuichi Sakamoto encountered a vast array of music and art at Expo ’70 in Osaka, held under the theme “Progress and Harmony for Mankind.” From the national pavilions echoed avant-garde electronic sounds rooted in atonality—Tōru Takemitsu’s Crossing and Seasons, Yuji Takahashi’s Egan (an early inspiration for Sakamoto), and Jōji Yuasa’s Music for Space Projection. At the West German Pavilion, Karlheinz Stockhausen performed Spiral daily in a spherical auditorium. The Pepsi Pavilion presented the world premiere of Fujiko Nakaya’s fog sculptures, while Iannis Xenakis created Hibiki-Hana-Mafor the Steel Pavilion, which also featured sonic sculptures by François Baschet.
These experiences would leave a lasting imprint on Sakamoto—becoming a conceptual spine for his lifelong exploration of sound. The emerging world of synthesizer-based electronic music also profoundly shaped his vision. Beginning in 2016, Sakamoto was able to perform and record with the original Baschet sound sculptures from Expo ’70, weaving their unique timbres into his own compositions. These experiments culminated in his 2017 album async, and echoed once more in his final stage work, TIME.
(Modern Classical, Ambient) [12"] [16/44.1] Ryuichi Sakamoto - Playing the Baschet - 2025, FLAC (tracks) [uztracker.net-61409].torrent 
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