[TR24][OF] Setting - Shone a Rainbow Light On - 2023 (Electronic)
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| Статистика раздачи | |
| Размер: 888.25 MB | Зарегистрирован: 6 месяца 21 день | Скачано: 24 раза | |
| Работает мультитрекерная раздача | |
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Полного источника не было: Никогда |
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| Автор | Сообщение | |||||||||||||||||||
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| MAGNAT ®   
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 Setting  Shone a Rainbow Light On   • Формат | Источник записи: [TR24][OF] • Водяных знаков: Нет • Год издания релиза: 2023 • Жанр: Electronic • Продолжительность:  00:40:15• Источник:  • WEB релиз: ссылка • Контейнер: FLAC (*.flac) • Тип рипа: tracks • Наличие сканов: front • Разрядность: 24/96 • Количество каналов: 2.0 • Формат: PCM • Треклист • • Треклист •✧ 01 - We Center (00:13:27) ✧ 02 - Zoetropics (00:07:45) ✧ 03 - A Sun Harp (00:10:16) ✧ 04 - Fog Glossaries (00:08:46) • Лог DRM • • Лог DRM •foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 • Setting • • Setting •The debut recording by Setting, a trio comprising Nathan Bowles (solo/trio, Pelt, Black Twig Pickers); Jaime Fennelly (Mind Over Mirrors, Peeesseye); and Joe Westerlund (solo, Califone, Sylvan Esso, Jake Xerxes Fussell)."Setting, befitting its name which can be read as noun or verb, and simultaneously suggests the sun, or any star in the firmament from our earthbound perspective; a story and its surroundings, its scenic context or mise en scène; or a psychedelic experience, as in the prescription to mind one’s “set and setting” arose outdoors, uncontained and unconstrained by architecture. The group’s debut recording Shone a Rainbow Light On traverses textural, phosphorescent topography with a certified organic folk-engine. Kosmische correspondences are inevitable and valid, but also somewhat deceptive, given this meditative music’s terrestrial rootedness in the familiar natural world, more in native humus and humidity than in outer space. Fueled by a vibratory hybrid of acoustic and electronic instrumentation, these four stately longform pieces sound like a UFO slowly sinking into a peat bog. The record begins, like the group’s name, and like the language of its unique instrumental interplay, with ambiguous grammar: “We Center,” the first and longest track at thirteen and a half minutes, builds patiently to a percolating climax of tidal heaving, with ceremonial connotations. “Zoetropics,” the shortest piece, follows, offering a more diaphanous counterpoint to the density of its predecessor. The zithery, shivering “A Sun Harp,” its title redolent of Sun Ra, showcases Westerlund’s unfettered drumming, which skitters restlessly until anchored, at its conclusion, by a minor bass progression. Finally, “Fog Glossaries” exhales through the maritime and meteorological evocations of its title, distant buoys clanging. Throughout this four-movement program, which invites deep listening, it is often difficult to differentiate individual instruments from the massed choir of the group’s unified sonic presence. At times what sound like field recordings cicadas, birds, wind, water splash out of this slow but powerful current, only to be revealed as overtones produced by harmonium, banjo, or cymbals. Setting’s sound is fundamentally synthetic in the sense of synthesis, not artifice—in a manner remarkable for its almost entirely acoustic arsenal of instrumentation, often registering as the product of a single alien technology, perhaps the rainbow lights of that bog-marooned UFO." 
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