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Paul-Antoine Bénos-Djian & Café Zimmermann / Vivaldi: Masques
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2026
Жанр: Classical • Vocal
Издатель (лейбл): Alpha Classics
Продолжительность: 01:06:42
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
1. Bajazet, RV 703, Sinfonia: I. Allegro (02:40)
2. Bajazet, RV 703, Sinfonia: II. Andante molto (02:34)
3. Bajazet, RV 703, Sinfonia: III. Allegro (00:59)
4. La verita in cimento, RV 739, Act I Scene 11: Aria. I lacci tende più forti (05:05)
5. Violin Concerto in D Minor, RV 241: I. Allegro (04:01)
6. Violin Concerto in D Minor, RV 241: II. Grave (01:58)
7. Violin Concerto in D Minor, RV 241: III. Allegro (03:33)
8. Orlando Furioso, RV 728, Act I Scene 10: Aria. Sol da te mio dolce amore (09:37)
9. Introduzione al Gloria “Longe mala, umbrae, terrores”, RV 640 (05:05)
10. Concerto for Two Horns in F Major, RV 538: I. Allegro (03:40)
11. Concerto for Two Horns in F Major, RV 538: II. Largo (02:35)
12. Concerto for Two Horns in F Major, RV 538: III. Allegro non molto (02:43)
13. Orlando Furioso, RV 728, Act II Scene 5: Aria. Piangerò sin che l’onda (05:05)
14. La verita in cimento, RV 739, Act I Scene 11: Aria. Mi vuoi tradir, lo sò (03:10)
15. Flute Concerto in F Major, RV 434: I. Allegro ma non tanto (03:37)
16. Flute Concerto in F Major, RV 434: II. Largo cantabile (03:06)
17. Flute Concerto in F Major, RV 434: III. Allegro (01:57)
18. Motezuma, RV 723, Act I Scene 1: Aria. S’impugni la spada (05:17)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/192
Формат: PCM
Количество каналов: 2.0Лог проверки качестваfoobar2000 1.4.6 / Dynamic Range Meter 1.1.1
log date: 2026-01-08 21:25:51
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Analyzed: Café Zimmermann / Vivaldi: Masques (1-12)
Paul-Antoine Bénos-Djian / Vivaldi: Masques (13-18)
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DR Peak RMS Duration Track
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DR14 -1.74 dB -20.25 dB 2:40 01-Bajazet, RV 703, Sinfonia: I. Allegro
DR12 -5.90 dB -24.75 dB 2:35 02-Bajazet, RV 703, Sinfonia: II. Andante molto
DR11 -1.91 dB -19.17 dB 1:00 03-Bajazet, RV 703, Sinfonia: III. Allegro
DR13 -3.20 dB -20.74 dB 4:01 05-Violin Concerto in D Minor, RV 241: I. Allegro
DR12 -10.42 dB -27.03 dB 1:58 06-Violin Concerto in D Minor, RV 241: II. Grave
DR12 -2.96 dB -19.73 dB 3:33 07-Violin Concerto in D Minor, RV 241: III. Allegro
DR12 -2.83 dB -17.76 dB 3:41 10-Concerto for Two Horns in F Major, RV 538: I. Allegro
DR12 -7.27 dB -24.55 dB 2:36 11-Concerto for Two Horns in F Major, RV 538: II. Largo
DR12 -2.01 dB -18.01 dB 2:43 12-Concerto for Two Horns in F Major, RV 538: III. Allegro non molto
DR11 -4.49 dB -20.71 dB 3:37 15-Flute Concerto in F Major, RV 434: I. Allegro ma non tanto
DR10 -8.63 dB -23.21 dB 3:07 16-Flute Concerto in F Major, RV 434: II. Largo cantabile
DR12 -4.23 dB -21.15 dB 1:58 17-Flute Concerto in F Major, RV 434: III. Allegro
DR13 -1.02 dB -18.13 dB 5:06 04-La verita in cimento, RV 739, Act I Scene 11: Aria. I lacci tende più forti
DR14 -4.88 dB -22.62 dB 9:38 08-Orlando Furioso, RV 728, Act I Scene 10: Aria. Sol da te mio dolce amore
DR15 -1.78 dB -20.64 dB 5:05 09-Introduzione al Gloria "Longe mala, umbrae, terrores", RV 640
DR13 -3.09 dB -23.04 dB 5:06 13-Orlando Furioso, RV 728, Act II Scene 5: Aria. Piangerò sin che l’onda
DR14 -1.11 dB -18.53 dB 3:10 14-La verita in cimento, RV 739, Act I Scene 11: Aria. Mi vuoi tradir, lo sò
DR14 -0.68 dB -17.78 dB 5:18 18-Motezuma, RV 723, Act I Scene 1: Aria. S’impugni la spada
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Number of tracks: 18
Official DR value: DR13
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4834 kbps
Codec: FLAC
================================================================================
Композитор: Antonio Vivaldi (1678-1741)
Исполнитель: Paul-Antoine Benos-Djian, counter-tenor
Cafe Zimmermann
Pablo Valetti, violin, artistic directorОб исполнителе (группе)Café Zimmermann
Café Zimmermann is a highly acclaimed early music ensemble who perform on original instruments and employ historic performance practices. It consists of six core members, two on violin, one each on alto, cello, and double bass, and one on harpsichord. Depending on repertory, Café Zimmermann often augment its number by adding additional strings and winds. Not surprisingly, the focus of its repertory has largely been music of the Baroque era, particularly works by J.S. Bach. It has also performed a fair amount of French Baroque music, including works by Lully, Marais, and lesser knowns Jean-Henri d'Anglebert, Pierre de la Garde, Michel Corrette, and others. Its repertory also extends into the Classical era, taking in works by Haydn and Mozart. CZ has toured throughout Europe, the U.K., and the Americas and has made numerous recordings, all available from Alpha Productions. Café Zimmermann was founded in France in 1998 by first violinist and concertmaster Pablo Valetti and the enbsemble's harpsichordist Céline Frisch. The other members are Nick Robinson, violin; Patricia Gagnon, alto; Petr Skalka, cello; and Ludek Brany, double bass. The ensemble's name derives from Gottfried Zimmermann's Leipzig-based coffee house, which hosted regular concerts by Telemann's Collegium Musicum, from 1723. J.S. Bach served as the ensemble's music director from 1729-1739. Based in Upper Normandy, France, the CZ attracted the attention of critics and public alike from its earliest days. Its precision, collective virtuosity, and well-chosen tempos, along with the deft use of ornamentation by the harpsichordist, were among the characteristics noted by critics. By the new century the CZ was internationally acclaimed and in 2001 its first volume in an ambitious series of J.S. Bach instrumental works was issued by Alpha Productions, a CD of harpsichord concertos BWV 1052 and BWV 1055; Violin Concerto, BWV 1042; and Brandenburg Concerto No. 5. Other successful recordings followed, including a 2005 disc of works by d'Anglebert (Pièces de clavecin). In fall 2007 CZ had a successful tour of the U.S., which included highly praised concerts in November at the Library of Congress featuring works by J.S. Bach and C.P.E. Bach. Its concert successes have continued with acclaimed appearances at the 2011 International Piano Festival in La Roque-d'Anthéron, France, and at the Early Music Festival in Innsbruck, Austria. Vol. 5 of CZ's ongoing J.S. Bach series, featuring Brandenburg Concerto No. 6 and other works, was issued on CD in 2011.
Paul-Antoine Bénos-Djian
Countertenor Paul-Antoine Bénos-Djian has appeared on a wide variety of operatic and vocal recordings of Baroque music in the 2020s. His early career has taken him to such unusual countertenor locales as the Bolshoi Theatre in Moscow. Bénos-Djian has appeared on music ranging from Matthew Locke forward to Mozart. In 2025, he joined the ensemble Le Consort on the album Begin the Song!: A Purcell Academy.Bénos-Djian began his educational career with the Chantres du Centre de Musique Baroque de Versailles, one of the choirs maintained by that Versailles institution. He studied voice there and went on to the Conservatoire de Paris, where he studied with Yves Sotin. Bénos-Djian also studied along the way with top countertenors Andreas Scholl, Philippe Jaroussky, and Raphaël Pichon, as well as with pianist Anne Le Bozec. He won prizes at the Opéra d'Avignon's Concours Jeunes Espoirs competition in 2015 and at the Festival d'Aix-en-Provence in 2017 and 2022. Bénos-Djian made his recording debut in 2018 on the album Melancholia by the vocal group Les Cris de Paris.Bénos-Djian's careers in both opera and concert music grew steadily in the 2020s. He has appeared at both the Opéra Lille and at the Château de Versailles as Ulisse in Nicola Porpora's opera Ulisse. During the 2024-2025 season, he sang the role of Polinesso in Handel's opera Ariodante, HWV 33, at the Bolshoi Theater in Moscow. His concert appearances have included multiple appearances in Handel's oratorio Theodora, HWV 68, opposite singers Joyce DiDonato, Lisette Oropesa, and Michael Spyres at the Theater an der Wien in Vina, the Théâtre des Champs-Elysées in Paris, and the La Scala opera house in Milan. Bénos-Djian has appeared in various operas at the Festival d'Aix-en-Provence. In the early 2020s, he had roles on various opera recordings by leading Baroque ensembles such as Ensemble Correspondances and Le Poème Harmonique, and in 2022, he appeared with Le Caravansérail on the album Scarlatti: Stabat Mater & Other Works. The following year, he was heard on the album Un Secolo Cantate: The Rise of Venetian Opera. In 2025, Bénos-Djian made his solo debut on the album Begin the Song!: A Purcell Academy, on the Harmonia Mundi label.Об альбоме (сборнике)This album celebrates Antonio Vivaldi's compositions for a particular vocal register, the alto, and for soloists from three different instrumental families: strings, woodwinds (the transverse flute) and brass (the horn). It includes the now famous arias from Orlando furioso and La verità in cimento, the violin concerto RV241, brought back from Venice in 1717 by Johann Georg Pisendel, a leading violinist, pupil and friend of Vivaldi, a flute concerto, not to mention his sacred vocal music, much of which is written for solo voice. A broad and eclectic panorama, a veritable ‘best of’ the Venetian composer, conceived by the musicians of Café Zimmermann, who have been playing Vivaldi's music with passion since its creation more than 25 years ago (as evidenced by its rich discography at Alpha), and the French countertenor Paul-Antoine Bénos-Djian, ‘enchanting in Vivaldi’, writes Diapason, which praises his ‘penetrating artistry’ and ‘unique personality’.
[TR24][OF] Paul-Antoine Bénos-Djian/Benos-Djian & Café/Cafe Zimmermann - Vivaldi: Masques - 2026 (Classical • Vocal) [uztracker.net-54599].torrent 
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